M.K. Foster is a poet and Renaissance literature scholar from Birmingham, Alabama. Her poetry has appeared or is forthcoming in Boston Review; The Gettysburg Review; Crazyhorse; Crab Orchard; The Columbia Review; Gulf Coast; Rattle; The Account; The Adroit Journal; The Offing; JuxtaProse; The Journal; Fourteen Hills; Sixth Finch; B O D Y; Word Riot; H.O.W. Journal; Ninth Letter; Read America(s); and elsewhere. Her poetry has also been recognized with the Gulf Coast Poetry Prize (selected by Stanley Plumly), an Academy of American Poets Prize (selected by Sally Keith), two Pushcart Prize nominations (2015), and Best of the Net nominations in 2016 and 2019, as well as inclusion in both Best New Poets 2017 (selected by Natalie Diaz) and Best New Poets 2019 (selected by Cate Marvin). Grounded in early modern ecocriticism, Foster's academic research focuses on spectacular monstrosity and horror in the natural world, a vein of interests that has led to such diverse subjects as 'monftrous rayne', fossilized shark teeth, and Wunderkammer. Her recent projects include her dissertation on figurations of the Flood in 17th-century Europe and her chapter on apex predators in the critical volume Reassessing Epistemic Images in the Early Modern World, which she is also co-editing. Additionally, Foster is the grateful recipient of several fellowships and grants for her creative and academic work, including an Artist Grant to the Vermont Studio Center, a National Alumni Association Fellowship, and two Grants-In-Aid to the Folger Shakespeare Library. She holds a B.A. from Birmingham-Southern College and an M.F.A. from the University of Maryland, and she is currently finishing her Ph.D. in the Hudson Strode Program in Renaissance Studies at the University of Alabama. In Fall 2020, Foster will start as Assistant Lecturer of English and Co-Director of the Writing Center at Birmingham-Southern College.